![]() But this dump on compression is overblown. It contains 100 premium-quality effects that will interest both. I am a big fan of RAW, and I agree that to get the best results for maximum creativity that is obviously best. Download our new Free Sony LUTs collection and make stylized color grading in several clicks. No, you do not need to shoot RAW for "serious" grading. Either use S-Log or Cine-2 for these Sony cameras. It will also work for the following cameras: Sony A7RIII / A7RIV / A7C / A6400 / A6600. ![]() What is "serious" grading? Is it different from "massive" grading. Color grading on footage from Sony A7iii.NOTE: use lut for Rec.709 footage (all model camera)-View original clip. This is a LUT Bundle which includes 12 LUTs I created for my Sony A7S III / A7III for HLG & S-Log picture profile. "limited" grading? "massive" grading? "serious" grading? what are those? Obviously, if you go to extremes, you can get banding, but in practice it is very rare and mostly due to too high compression in rendering, not the limits of 10 bit or camera compression. This has so much hyperbole, it needs a response. Below are three screen shots showcasing the different SLog 3 looks: Ungraded SLog 3 Footage. With any camera recording H.264/265, get as close to the intended look in the camera as you can. I tend to find Sony’s mids/skintones have a tendency to look cool or at times even purple, so one of my primary goals with this LUT was to eliminate that issue. ![]() If you need that, get a camera with RAW recording. In general, such cameras are not a great source for serious grading. Apart from that, most scenes don't use the full 8 or 10 bit in Slog, so massive grading can always lead to banding. Of course, Slog is more flexible, but it can also fall apart with the massive compression, even in 10 bit. They also make the picture clearer and amazing when used for nature, lifestyle, and event videos.Uli Plank wrote:Well, you can do some limited color grading on any profile the camera offers. The main purpose of Sony LUTs is to breathe new life into your videos by increasing the saturation and the overall color temperature.This LUT is especially great for corporate, real estate, and action-centered videos. It makes the overall image colder and slightly boosts the contrast to make the subject stand out, without being too dominating. ![]() If you’d like to make your video project look professional without the color grading being too visible, this is one of the best Sony LUTs for Premiere you can find.You’ll find the dynamic range is very similar to SLOG3. You can use it for indoor footage, and it goes especially well with family and love stories. He suggested something called PP8 -> CINE4 and switching the color mode to S-Gamut3.Cine. Get Free stuff and stay updated from me for all things photo, video and design. Maik Hansen 4.3K subscribers How To Color Grade s log2 + FREE LUT SONY A7III - A7II - a6400 FREE POWERGRADE. and Im sure Sony will release cameras with new profiles. Sony LUT will add a creamy effect that will make the video more appealing, while also improving the overall color palette. Since then Ive done a handful of projects shooting and editing with the Sony A7iii, A7Riii, A7sii etc.It also makes the image moody and more attention-grabbing, which is great if your video mainly features people, architecture, or picturesque landscapes since it makes the subjects pop out. Our Natural Enhanced LUT pack is crafted to fix the issues with Sony skin-tones and hue levels caused by Sonys color science. Best Sony LUTs addi drama and depth to the footage.
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